Wednesday, 28 January 2015

Tutor report


Overall Comments


This was a challenging subject and you have some interesting images to work with. You have tried to try a different style as a starting point (the panoramic) which has the basis for development and this series of images would have benefitted from more variety, for example some close-up still life shots of some of the more interesting items which have been donated. You could also have taken some architectural shots of the shop, perhaps first thing in the morning or late at night, with different lighting conditions as currently it feels a little bit similar looking from one shot to the next and may give the impression that they were all just taken in one day (or within the space of a few hours). It is usually customary to revisit a place several times in order to get the strongest shots.

I am concerned that you think I squeezed all the pictures I took into a few hours on one day.  By checking the properties of each image you would have seen that I went back several times from 31st October until 17 November. 
I didn’t include any more pictures of customers as I thought you might think it was overkill but I have many more images available. If you would like to see any more please let me know and I could email them to you.

The social documentary style images have lots of potential, although there are some basic technical issues which you should endeavor to try and resolve in time for the next assignment. I am not sure you have fully dispelled the myth that charity shops are full of little old ladies wearing pearls but you are nearly there. More photography research needed as just a small reference to Martin Parr isn’t enough for this level.

As I was dispelling the myth about little old ladies running charity shops I only used a couple of pictures with customers.  I focused on the staff as that seemed more appropriate as the myth was about running charity shops, not who shopped in them. I took many more but felt they were inappropriate bearing in mind the rationale.


 
Feedback on assignment
Demonstration of technical and Visual Skills, Quality of Outcome, Demonstration of Creativity

Image 1 – Panoramic
First of all, never put text or titles on the border of your images. It should be sufficient to just write or type on a sticker which you can then discreetly affix to the back of the photograph. By putting the text underneath each image in this instance, it could give the appearance of being rather a basic use of description as well as stating the obvious. The text also detracts from each image as the font size is so large. The panoramic shows you are adept at variety in your style of working. The person in the centre appears to be a little stretched although the whole scene is well balanced from left to right. You have to revisit at various times of the day as it does not appear to be a bustling town centre (not that many are nowadays) and the cars are rather distracting from the interesting buildings and colours. The cone and the roadwork remnants on the right hand side are not particularly aesthetically pleasing. Nice bright sky.

I went back and took three version of this panorama but cars are a feature of Broad Street in Lyme Regis and can’t be avoided however early or late.  The cones and road works are still in place today so to avoid them was impossible.


Image 2 –
Good composition and strong colours. The photograph has a sense of voyeurism around it, as the main subject is not looking into the camera and is quite natural in what she is doing. Her hands are the main focal point and then your eye wanders around the rest of the shop contents. Slight evidence of movement mainly around the woman’s arm, possibly due to the setting not being fast enough in conjunction with on-camera flash. Needs to be pin sharp.

I deliberately took this to get movement in the subject’s hands as the manager of this shop is constantly on the go.  I wanted to give the impression that she is always busy working to support the shop and the charity.
  

Image 3 –
This image works well in portrait for the contents of the shop you have photographed. You will need to play around with the settings on your camera a little more. If you look at the face of the person featured, it is almost like seeing double vision so may be due to the flash again. It is difficult to get a point to focus on here as the shop is so cluttered but what makes it even more difficult is the crane in the background. A very busy image.

I did say in my write up that I felt this subject was not my strongest image.  The recycle man comes at 8.00 am once a week and I had to contend with all that was going on inside and outside the shop at that point in time. 


Image 4 –
Again, a little softness in the foreground although the customers appear to be reasonably well in focus. It has become a stronger image because the three people in the foreground are all looking in exactly the same direction and it makes you question what has caught their eye. They do retain your attention and your eye travels around to the person on the right and into the distance to the gentleman browsing. Be careful of cropping too closely such as the coat hangers on the right hand side are right to the edge of the frame.


Image 5 - 
Good natural poses although double vision which may have been resolved by a tripod due to the lighting conditions you are working in, however it is difficult to be voyeuristic with a tripod so perhaps balance on something – a rail – for example with a bean bag may resolve this.


Image 6 –
A strong image. Well composed and a sense of fun! There is movement in this but it is exaggerated and therefore it is acceptable and works for this pose.


Image 7 –
More steam would have made this a stronger image. May be worth a re-shoot.

I did think about reshooting this picture but the subject was working in the shop during his school holiday and wouldn’t be available again for some weeks.  The manager said that she will ask her son if he will spare a couple of hours for me to take some more pictures.


Image 8 –
Technically this image is weak. The woman’s face should be pin sharp. Tripod and experiments with shallow depth of field may have helped this.


Image 9 –
Not very attractive to show someone with their mouth wide open, although I appreciate this was a meeting. Woman on the left looks bored with her eyes glazed over. Perhaps there could have been more variety within the images so this could have been replaced by an interesting still life composition / juxtaposition of items which come into the shop.

Space is at a premium in the staff area and it was difficult to get to another angle to take this shot.


Image 10 –
Never photograph the back of someone.

I thought the shape the subject made when she was working in the shop window justified her back view.  I could try to photograph her from outside the window but I feel that the effect would be lost.


Image 11 - 
Technically poor and the top of her head has been cropped off. If you are to show movement, over-exaggerate it.

Accepted

Image 12 -
Well composed but technically weak.

Why was this technically weak? 


Learning Logs or Blogs/Critical essays
Context

Your blog holds a sufficient level of background knowledge behind the theory for your work, however it would have been beneficial to have seen some contact sheets and images you have rejected and why (although you do make reference to this regarding the steam image) which shows a little discernment.

I do not appear to have found much in the way of evidence regarding primary research (for example, visiting a relevant exhibition) or photography research, apart from a short reference to Martin Parr, which does not particularly reflect your style of work. Apologies if there is far more artist research than I have found (I checked your memory stick and blog so please let me know if I have missed it). Some examples of other photographers’ work, relevant to your style is important in order to start to develop your own style.

Suggested reading/viewing
Context

There are a huge amount of photography exhibitions in London at the moment:

I endeavor to visit London and exhibitions in the local area regularly but being at the far end of Dorset makes the cost prohibitive to London for more than once every couple of months.  Personal circumstances have worked against me since before Christmas but I will attempt to visit more shows here in the South West.

You may also want to check out The Photography Show in Birmingham which has visiting speakers (last year there was Rankin and Steve McCurrie for example:

The Photography Show 2015, NEC http://www.photographyshow.com/
21 – 24 March


Pointers for the next assignment

  • To experiment with settings including depth of field
  • To have a bigger variety of images
  • To use a tripod
  • To research more photographers and take influence from them

Saturday, 3 January 2015

Assignment 1 Part B - photobook



Part B
There will be a book that accompanies the work.  A conventional commercial print house will produce this.  The company will be of your choice but their business must be producing one-off books rather than large print runs.  The book will have a minimum of 20 pages and have a hard cover front and back.  You’ll be required to provide a small amount of text for the book with appropriate comment where and how you feel appropriate.  This could be an introductory page of text, a small paragraph for each image or one line per image.  The text you provide must support your imagery.
Send your ideas for this book to your tutor along with your images.

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Book layout

As I have worked with LightRoom previously, I decided to go with their facility to construct a photo book to the above requirements.  

Front Cover



Page 2

 

Page 3







Last Page 




When I had designed these pages I reread Part B and found that I needed to expand the book to be 20 pages so I included some pages of text and spread the pages out to cover the number required.  This enabled me to show the full images as some had been cropped within the photobook as they were landscape and I had shown portrait mode on the page.  If you look at the last page the second and third images were landscape but were cropped to feature the manager but not her surroundings.  They looked much better on separate pages.





Posted off to tutor

I've posted off assignment 1 to my tutor and then remembered I should have included a contact sheet.  It's easy enough to produce one in Bridge so I had to remember to put all my details - name, student number, module and which piece of work it was attached to -  then emailed it to Katrina.

One thing that I know is that my portfolio has arrived safely Katrina told me when I received her acknowledgement, so that's good.  Only have to wait for her comments whilst carrying on with the next lot of reading and exercises.

Friday, 2 January 2015

Images and rational part 2 (with images)



List of Images / rationale for taking this particular picture
The pictures I’m featuring in this portfolio attempt to show that there are ‘No Little Old Ladies in Pearls’ working in charity shops these days.  Rather than dash about taking any thing/anywhere I felt there should be some order in the pictures, so I used the rationale of ‘A typical day in a charity shop’ which seemed a more realistic way to gain some order and yet show some of the things that could happen anytime during opening hours.  

1.    Broad Street Panorama


I wanted to show where the shop was in relation to the main shopping street (Broad Street) in Lyme Regis.  It sits half way up a big hill amongst many other typical shops and banks. 

2.    Opening Up

Shop opening hours are from 09.00 – 17.00 hrs Monday to Saturday and 10.00 – 16.00 hrs on Sundays.  The manager arrives about 08.30 and checks the float into the till and unlocks the shop door at 9.00 am.  The volunteer for the morning session arrives about 8.50 am, puts on a tabard and starts sorting the clothing rails into some kind of order after the previous day’s sales.  This image shows a typical start to the day with the cash float being counted into the till.  



I like the movement of the manager’s hands in this picture as this gives a good impression of how Emma spends her day rushing around the shop sorting donations, organising items for sale, adding sale tickets, etc.  It’s one long need to obtain the maximum sales.  This image was taken in natural light, hand held at ISO 400, f8 @ 1/15.


3.    Recycling

I know this image is one of my weaker ones but I wanted to show how it was when the recycle man came and how much recycling there was every week.  The shop isn’t able to sell everything they are given and if they put the majority of the items donated out for sale it would resemble a jumble sale.  Those items thought to be unsaleable, i.e., dirty, smelly, no safety labels, etc, are put aside and sold as rags.  These items bring in a fairly sizeable amount so it’s worth making an effort.  In this picture the face of the collection man is just about in focus but hasn’t received a strong enough burst from the camera flash to illuminate him properly.  This image was taken at ISO 400, f8 @ 1/60. 


4.    First Customers

This is one of the images that I’m really pleased about.  I liked the way the people on the left were all looking in the same direction but the other person on the right was looking in a completely different direction.   Also the juxtaposition of the three people facing left seemed to mirror the woodwork in the bottom right hand corner.  I used the camera flash to highlight the picture as it was in a dark corner of the shop so needed a bit of help to lift it to acceptable levels.  This image was taken in natural light with ISO 400, f5 @ 1/80.


5.    Donations

One of the earliest charity shops was set up in 1899 to sell donations to raise funds for blind people.  Called thrift shops in the USA or Op shops in Australia/New Zealand charity shops are considered as a type of social enterprise to raise money for various causes.  Charity shops in seaside areas are seen as an easy, cheap way to set up holiday lets as most household items can be bought there.  People who rent holiday lets use the charity shops as a way of replacing broken or items they have lost rather than face a charge on departure.
It’s a fairly simple system in that people bring donations into the shop (or leave on the doorstep out of hours) and hand them in to the till operative.  A count is made of how many donations are made each day and tallied up at the end of each week.  Regular donors can sign up for a government scheme called Gift Aid if they are UK taxpayers.  If they have signed up for this scheme the charity can claim an extra 25p for every £1 of goods sold on behalf of that particular taxpayer.  This enables the charity to increase their income significantly without too much extra effort.


This picture shows one of the volunteers, the significance being that it is a man rather than a older woman which seem to be the norm for volunteering.  I like the way that David is leaning towards the woman donor and looks to be discussing her donation.  This image was taken in natural light with ISO 400, f6.3 @ 1/50. 

 
6.    Sorting donations


Sam is the deputy manager and is a person who tries to inject fun into most things.  Here she was sorting donations prior to them being priced and placed in the main shop for sale.  The back area of the shop is always crowded with boxes and bags of goods and sometimes it can be difficult to work your way round the donated goods.  This table was used to sort out donations into saleable and non-saleable items.  Bins and plastic bags are conveniently to hand to easily sort items into recycling or land fill bags. The lines of hanging clothes surrounded Sam leading your eye directly to her.  Both she and the manager, Emma, were constantly on the go and the small movement in the picture was to indicate their ceaseless movement around the shop. This image was taken in natural light as there is a large window directly to the left of the table using ISO 400, f7.1 @ 1/15. 


7.    Steaming

Most of the items that are donated for sale have usually been packed away at some time and need some attention to make them more saleable.  The shop had an industrial quality steamer so that items could be steamed to remove the worst creases.  If an item might be more valuable but has dirty marks on it then one of the members of staff might take it home and wash it. 


I used this image rather another one with more steam surrounding Aaron, the machine operator, as the lad had his eyes open in this picture with a smaller amount of steam whilst in the image with more steam he had his eyes closed.  It was difficult to decide which image to use as I had visualised in my mind’s eye the clouds of steam surrounding Aaron rather than the lesser amount you see here.  This images was taken using ISO 400, f6.3 @ 1/60 using flash as it was in a dark corner of the preparation area.
 

8.    Administration

As in most jobs there are prodigious amounts of administration that go with running a charity shop.  Things have eased up over the past couple of years since the Trust bought a computer system but whilst it was easier to keep a check on the day’s takings, background work has increased due to having to allocate sales to each individual Gift Aid donor.  I like this image as the subject was well placed on the thirds of the image and the pose looked natural.


This shot was taken without flash using ISO 400, f7.1 @ 1/10.  There was a modicum of natural light coming from a window behind me and I was able to lift the image using Photoshop’s Shadows/Highlights and Brightness/Contrast filters.  Overall I was very pleased with it especially as there were fluorescent lights in this dark area and I was able to remove the yellow cast as well.


9.    Staff briefing

I found it very difficult to get images of Emma, the manager, standing still or without her talking as she rushes around the shop all day talking nineteen to the dozen.  When Sam, the deputy manager, comes in for the first time in the working week the manager needs to brief her on what has been discussed at the area meetings which happen once a week.  The volunteer is left in the shop to handle queries whilst this briefing takes place. 


This picture was taken using ISO 400, f6.3 @ 1/60 using flash.  In fact, when I checked this picture again I noticed that there was an area in the middle bottom of it that had a shadow which must have come from my hand where I held the camera but I had managed to block part flash.  It’s the only thing I can think of that would explain the shadow.


10. Stocktaking

Whilst charity shops mainly sell donated goods some do sell new items produced for them directly.  These goods are subject to VAT and must be accounted for.  Accordingly, these new goods must be counted once and week and recorded.  As the only new items on sale at the Lyme Regis shop were calendars and Christmas cards, those were the only items to be regularly checked.  As the manager had put some packets of Christmas cards in the shop window they needed to be counted in situ and I photographed her at an unusual angle whilst she was counting items.  


I liked the way the lines of clothes contained her and led your eye straight to where she stood.  I think she was well framed with the woodwork of the glass barrier as well.  The colours lift the whole image well.  This image was taken using ISO 400, f5 @ 1/100.  I think I could have cropped this image better as I think there is too much foreground carpet.  If I’d taken about 15% off the bottom I think it would have looked better.


11. Shop Cleaning

Emma always seemed to be rushing about doing as much as she could throughout the day.  Even when it came to vacuuming the shop prior to closing at the end of the day she worked in a hurry.   

This image is not sharp in that the head of the cleaning wand is moving and this, to me, gives the impression of movement.  As it was getting dark outside I needed flash to lighten up this area to get a reasonable image.  This image was taken using ISO 400, f6.3 @ 1/60 using flash.


12. Locking up

The last thing to do after working in the shop all day was to lock up after the last customer.  To discourage anyone coming in Emma locked the door at 5.00 pm but unlocked it to let any last customer out.  



I know it wasn’t the done thing in reportage to have the subject look directly at the photographer and smile, but this so epitomized Emma that I couldn’t resist adding it into my portfolio of images.  This picture was taken using ISO 400, f6.3 @ 1/60 using flash.

Conclusion
Overall, I’ve put a great deal of time and effort into this portfolio of work.  On the whole I’m pleased with the results.  I know that there are some areas that I could improve on and some images are not so strong but I feel quite satisfied to send it in as a first effort.  I feel that these pictures show how it is to work in a charity shop and that the images could be used to encourage people to volunteer to work in one or more of the shops.  They could also be used in publicity material showing what goes on to generate funds to keep the hospice going.